• Sandro Botticelli, The Birth of Venus (1486)

    Erotic Art Controversy

    Erotic art has been around for centuries, yet never fails to cause a stir. From the classic reclining nude or the 1920s pin-up girl to today’s provocative prints or sexy “selfies,” erotica will...

    Erotic art has been around for centuries, yet never fails to cause a stir. From the classic reclining nude or the 1920s pin-up girl to today’s provocative prints or sexy “selfies,” erotica will always be a loaded topic of conversation. Are we too embarrassed to look at the human form, one of nature’s purest entities? Perhaps it is the blunt rawness of nudity that makes us uncomfortable. When we look at art, we are conditioned to judge certain works positively and other more explicit works with discomfort or disgust. For example, we may look at a nude poster of Marilyn Monroe as beautiful and iconic, while a photograph of an exotic dancer elicits a more lowbrow connotation. Why? It is almost as if society’s mainstream perceptions have pervaded the average person’s idea of erotic art or imagery who have come to see it as crude or even tasteless.

    Sandro Botticelli, The Birth of Venus (1486)
    Sandro Botticelli | The Birth of Venus (1486)

    Throughout history, similar reactions arose in response to certain works of fine art depicting the nude body. For the most part, cultures have a code for depicting nudity, often in the service of allegorical narrative. Hellenistic art frequently depicted nudity and on occasion used devices such as draping or a modest hand over the nether regions. Publicly visible Medieval European depictions of the nude body were mostly allegorical, and served as cautionary Christian narratives, whereas Italian renaissance painting and sculpture looked to the traditions of the Greco-Roman era for models, such as the allegorical Botticelli painting, The Birth of Venus (1486).

    The power of allegory is its supposed sublimation. This is why we often look at the dreamy goddesses of Titian or Botticelli with exalted reverence, but will not welcome erotic art photography or provocative paintings with the same appraisal. It seems that if an image is too contemporary or blatantly sexual, it is too raw and explicit for mainstream tastes—and that is where the line is drawn.

    erotic art painting of Édouard Manet, Olympia (1865)
    Édouard Manet | Olympia (1865)

    Explicit can mean more than simply the exposure of one’s most intimate regions, in fact it can be the lack of metaphor, of distance of sublimation. The date 1865 has long been considered a pivotal moment in the history of modern art, particularly the representation of nudity. It is the year that the French painter Édouard Manet exhibited his painting Olympia – painted in the tradition of Titian’s Venus of Urbino (1538) as well as Ingres Odalisque with a Slave (1842). However, without the traditional device of literary or mythological allegory and with various contemporary symbols this was a shocking image. While the model for the picture was Victorine Meurent who also modeled for other paintings, it resembled pornographic photographs of the period, which surely would be recognized, but it was most of all her cool stare, rather than a welcoming smile, that made Olympia equal parts shocking and mesmerizing. Equally, contemporary audiences were astounded by the flatness of the modeling and color. It was obvious to the contemporary audience that this woman was a kept mistress or courtesan. Some critics point to the name Olympia as a common name for courtesans, and others connect Manet’s painting to the notorious renaissance courtesan Donna Olimpia Maldachini, or Marguerite Bellanger, a mistress of Emperor Napoleon III. Whoever this alluring woman may be, she has a confident self-possession and carelessness that disturbed so many of the viewers, some who said they felt trapped by her gaze.

    These boundaries were pushed further in the painting of a languishing nude woman by French painter Gustave Courbet – the infamous L’Origine du monde (1866) in the collection of the Musée d’Orsay, Paris. This picture shows the artist’s mistress and model Joanna Hiffernan who is said to also have been the lover of the American painter James Whistler. L’Origine du monde was commissioned by the Turkish-Egyptian diplomat Khalil-Bey, who had become well known for his Paris erotic art collection. While the picture displays feminine genitalia with an unrelenting magnification, many critics feel it bears traces of the sumptuous painting of the Venetian school such as Titian and Veronese.

    Erotic art painting of Amedeo Modigliani, Reclining Nude Painting (1917)
    Amedeo Modigliani | Reclining Nude Painting (1917)

    Amedeo Modigliani also tested these barriers when he painted highly stylized reclining females who seemed to embrace their own sensuality, and made no move to cover their bodies. Modigliani made over twenty-six works of this type; the one shown here was made for his patron Léopold Zborowski. The reality is that there is a candid eroticism, a certain charge that caused some controversy when the paintings were exhibited in the window of the art dealer’s Berthe Weill’s gallery, their reflection of the liberal culture of Montparnasse so shocking that Weill was ordered to take the erotic art works down.

    A sumptuous explicit body is at the center of erotic art controversy.

    The difference between an allegorical nude and a sumptuous explicit body is at the center of controversy. An allegorical nude is associated with beauty and high culture, whereas the exposed body is associated with lowbrow eroticism. This is part of the distinction that creates the boundaries between erotic art and that which is scandalous. However, all of this raises the question why we see more explicit eroticism as shameful or distasteful and who decides?

    Perhaps we can liberate ourselves and be more honest about our taste. The reality is that arousal and sexuality are natural parts of being human. For this reason, if we shy away art that shows explicit sexuality and nudity, we are also denying the sexuality that is innate to our own being. In truth, erotic imagery is still and will remain an integral part of our humanity.

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  • Madonna | Erotic Years

    Taking the 80s by storm, Madonna stands as a legendary sex symbol who truly revolutionized the social culture of her decade. Embracing sex and rebellion as the cornerstones of her image, she fearlessly...

    Taking the 80s by storm, Madonna stands as a legendary sex symbol who truly revolutionized the social culture of her decade. Embracing sex and rebellion as the cornerstones of her image, she fearlessly bashed conservative family values, leading an age of sexual liberation and free expression. With her risqué performances and clothes, she standardized a whole new level of provocation, carving her place as the queen of pop, and most importantly, the icon who empowered women to embrace their sexuality and social autonomy.

    Madonna was a leader of a revolution that forever influenced the way we perceive erotic art. Through her sexy photos, she became a sign of free expression, showing the world that provocative art is more than just a feast for the eyes; it’s a symbol of empowerment and unbridled energy. In turn, Madonna’s exhibitionism expressed a clear agenda: Why merely shock people when you can lead a revolution?

    Madonna for Vogue Italia by Steven Meisel in 1991
    Steven Meisel | Madonna for Vogue Italia (1991)

    Madonna made this agenda clear in 1985 when she posed topless for Playboy in collaboration with the photographer, Bill Stone. In these monochromatic photos, she poses full-frontal with unshaved privates and underarms, indicating a trendy bohemian attitude toward her nakedness.

    Madonna underarms by photographer Bill Stone in 1985
    Bill Stone | Madonna (1985)

    The plain backdrop—instead of the standard glamorous background, enhances this effect, Madonna is posing within commonplace settings in most of the photos. Her simplicity and bluntness indicates a genuine, unembellished ownership over her body, producing an eroticism that is both real and attainable.

    Madonna by photographer Steven Meisel in 1992
    Steven Meisel | Madonna (1992)

    However, Madonna’s photos were perceived as lewd and distasteful, provoking a surge of public controversy surrounding her image as both a pop star and role model. Nevertheless, Madonna’s full-on nudity showed a rich confidence and a willingness to confront the conservative values of her era.


    The authenticity and openness of her eroticism demonstrated self-approval and true liberation. In turn, she stripped away the shame and indignity that was commonly associated with erotic photography and introduced a rich and meaningful revival of this genre.

    Madonna photographed by Steven Meisel in 1992
    Steven Meisel | Madonna (1992)

    As her sexual identity matured, she continued to push the intensity of her erotic art. On October 21, 1992, she released “Sex,” a coffee table book filled with soft-core pornographic photographs. Shot by Steven Meisel Studio, the pictures carried a sadomasochistic nature, depicting Madonna in various bondage-related poses and interactions. Every aspect of the scene represented lawlessness and youth: her untidy bleached hair, the rope and cuff restraints, and the overall explicitness of the act.

    Madonna was dubbed “The Queen of obscene.”

    Traditionalists and moralists believed she had gone too far, while her fans shared mixed reactions – some bewildered, some amazed and some inspired. But most importantly, these antics begged the question: why?

    At the heart of these photographs, we’re not merely seeing an aimless sensationalist at work, but rather something more powerful. She unleashes an inner ferocity that is inherent in all of us, but often suppressed. As a result, her photos not only bash the squeamish mainstream views of her time, but also invite people to welcome sexuality with new eyes.


    Despite all the scandal surrounding Madonna’s eroticism, there really was a method to her antics. As the ringleader of modern sexuality through the 80s, Madonna’s exploits can be viewed as a demonstration of empowerment. Her naughty trademark and explicit nudity was a pathway to a new age of women and culture.

    RE, Toronto (2015)


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