Abandonment surrounds us. Our world is littered with remnants of our former selves. These lonely eyesores recall purposes long forgotten and highlight the temporal nature of our own lives. In this exploration of abandoned industrial spaces, Dakota Snow juxtaposes her soft lines and supple form against a jagged, unforgiving heap of scrap metal, colored with rust and rot. She is neither fighting nor yielding to its sharp, cold frame. [Maryland, 2018]